Socially distanced recording of new compositions, made during the COVID19 pandemic by RCS students with the Red Note Ensemble in the RCS Stephenson Hall

Charlotte sings Come Scoglio, Fiordiligi's aria from Mozart's Così fan tutte with the Royal Conservatoire of Scotland Symphony Orchestra as part of a programme for Valentine's Day, conducted by Baldur Brönnimann.

Charlotte sings the role of The Female Chorus (narrator) in Britten's The Rape of Lucretia, directed by Jack Furness and conducted by Lionel Friend at the Royal Conservatoire of Scotland.

Charlotte sings the role of The Female Chorus (narrator) in Britten's The Rape of Lucretia, directed by Jack Furness and conducted by Lionel Friend at the Royal Conservatoire of Scotland.

Charlotte sings the soprano solos in Handel's oratorio highlight Messiah with Bristol Choral Society, conducted by Hilary Campbell.

Charlotte rehearses for The Rape Of Lucretia with her colleagues during the winter term at the Royal Conservatoire of Scotland

Charlotte singing in the rehesarsal for Handel's masterpiece oratorio Saul with The Border Singers and Shropshire Symphonia, conducted by Prof. Simon Davies.

Charlotte sings the role of Merab in Handel's masterpiece oratorio Saul with The Border Singers and Shropshire Symphonia, conducted by Prof. Simon Davies.

Charlotte performs the role of the Countess in The Royal Conservatoire of Scotland's production of Mozart's The Marriage of Figaro, directed by Julia Hollander.

Charlotte performs the role of the Countess in The Royal Conservatoire of Scotland's production of Mozart's The Marriage of Figaro, directed by Julia Hollander.

Charlotte sings the soprano solos for Royal Leamington Spa Choral Society in March 2019

Charlotte sings in Purcell's Dido & Aeneas at the RCS in the Alexander Gibson Opera Studio